Styleframes from "bedrot" the upcoming collage-animated music video for boundary pushing goth noise rock band Crippling Alcoholism. CA released their third album "Camgirl" on Portrayal of Guilt Records and have gone on to tour the record nationally, as well as sign to dark music label The Flenser for a special reissue & future material. I was responsible for visual direction and design, including the concept, all collage artwork and typography treatments, as well as animating everything in the music video.

Direction and design for the Arizona doomgaze band Holy Fawn. The first physical pressing of their Realms EP includes a die-cut jacket, type-heavy lyric sheet and an image composited back cover. Realms is a record about humanity's life vs. death interconnection in relativity to the natural world. The vinyl for Dimensional Bleed is complete with a custom type treatment paired with Helena Sokolova's eerie photography, as well as a blind spot gloss gatefold. The cassette was expanded on with a meticulously crafted image composite relative to the original sleeve. Additional selections include artwork for Drag Me into the Woods, the Death Spells cassettes and merch.

One of my favorite ways to combine music and digital imaging is to incorporate the energy found at live performances - I love working with photograhers to document kinetic momentum. In order of appearance: Wildwood Skate Shop in Lodi, CA (photographed by taytaygumby), The Entire History of You (photographed by pepsi_pls & marienewbymedia) and The Armed on their THE FUTURE IS HERE... tour live in San Francisco, Los Angeles and Toronto (photographed by brianloveswords).

Reimagined ahead of its 25th anniversary, this experimental variant of The Shape Of Punk To Come incorporates whirling serpents, blossoming floral arrangements and a palette carefully imagined after Umeå (Sweden's) spring. I aimed to convey the sensation of a calm lull before engraining the viewer in a slithering coil of visuals carefully paired alongside a delicate serif. 

The People In My Panic Room is a mixed media zine that delves into the macabre dirges of identity, especially those surrounding mental health awareness and sexuality. TPIMPR examines the grotesque demeanor of staying silent, and using art as a manifesto for anti-sterilization against arcane perspectives and taboos passed down through institutional trauma. Bound by Fluke Publishing out of Arizona.

20-page lyric zine designed and collaged for the Brooklyn rock band Systems Nominal and their 2026 debut EP "Wings Outstretched". After working on the cover artwork with Andrew (vocals/guitar) and Evan (bass), I was asked to create a zine illustrating the EP's 4 tracks. For now, this zine is digital only and exists on the band's social media.

Aside from art directing album campaigns, I frequently get asked to create original tour posters and one-off fliers. I especially have loved working on getting to reimagine motifs of classic albums for anniversary shows, which allows me to expand on established visual cues that audiences can live in and enjoy. It's an exciting challenge but has been very rewarding to experiment with.

Crisis is the third studio album by Canadian post-hardcore stalwarts Alexisonfire, released through Vagrant Records (US) and Distort Entertainment (US/CAN) in 2006. Reimagined by carefully scanning indiscernible street markings around Brooklyn, this gritty adaptation of the global touring act's seminal release pairs bespoke imagery with tactile layers of grime.

PHAC is a Brooklyn-based arts organization creating collaborative experiences for local artists. I periodically create posters, merchandise, branding and social graphics for their events and digital promo. Nothing is off limits to try - I especially love seeing how my collage artwork approach melds with painted lettering, Swiss design and dynamic grid approaches.

Bespoke lettering and illustrations the Bay Area sensation LaRussell and his 42nd album "Something's In The Water", released through Roc Nation. I was responsible for hand-drawing the tracklist, cassette face and viny labels, as well as picking out the variant color. My inspiration for the doodle style came from going to San Francisco and watching people write notes in the dampened sand after a wave rolled in. I believe the kinetic momentum of the ocean and youthful aura of fleeting moments you'll never forget is reminiscent of LaRussell's palpable energy.